Volume 40 Introduction
Noelle A. Baker and Kathryn Tomasek
Volume 40
2023-04-27
DOI: 10.55520/70H776MR
§ Micro-editions
§ Voices and Perspectives: Interviews and Conversations
§ Uncovering and Sustaining the Cultural Record
“Time Enough but None to Spare”: Chesnutt Alive in Today’s Archive
Bianca Swift
Adopting DocTracker in Editorial Practice: Reflections and Experiences
Holly C. Shulman and Constance Schulz
§ Essays
Reanimating Media Histories: The Affordances and Limitations of Digital Cultural Recovery
Roopika Risam
Emerging from the Vocal Void: A Journey towards Afro-Indigenous Femme Subjectivity in Phenomenology
Artist Marcia X
Digitization and Accessibility: Editing to Provide Equitable Access to the Archives of the Perkins School for the Blind
Jen Hale and Susanna Coit
§ The College and University Classroom
Digitizing the Other Half of the Indian Subcontinent’s Partition History: Mapping Theory, Praxis, and Pedagogy
Debadrita Chakraborty
Visual Literacy, Close Looking, and a Pivot to the Virtual: The Library Company of Philadelphia’s Urban In-sights Workshop
Erika Piola, Sarah Weatherwax and Anne Verplanck
Soon after its inception in 1731, administrators of the Library Company of Philadelphia, a subscription library–turned–independent research library specializing in American history and culture, collected graphic material.1 In more recent decades, the Library’s administration hired a Curator of Prints to steward the collection, formed a Graphic Arts Department, and implemented a Visual Culture Program (VCP), including an associated fellowship.